Step Inside Alyson Fox’s Glorious Home-Slash-Studio
Ready to have your mind blown? Oh, good.
“Our interior space is very minimal—a lot of breathing room for thinking,” says Alyson Fox, the jewelry designer and maker extraordinaire who moved into a home she and her husband built in Spicewood, Texas—35-ish miles from downtown Austin!—in November 2012. “It has a lot of nice, quiet details and compliments the landscape we see from every spot in the house. I love opening the door and running around outside with our puppy…and I love showering outside.” Get lost in the unreal space below. —alisha prakash
“I spend a good portion of my day out in the main living area. I sketch on the kitchen table a lot and have a weekly ritual of rearranging the ceramic pieces on the shelves. That helps me center my thoughts for some reason. I also like visiting the fridge a lot—snacking is apart of my creative process big-time.”
“We wanted pops of neon in our house alongside all the neutral and wood. These dueling pink bowls live on our counter in the kitchen. The lucite pink bowl was the first piece we bought from a online store in Australia. Its inspiration is a candy wrapper. I wish I could remember the designer’s name. It glows during the day from all the light. The other one is a Kaleido tray designed by Clara von Zweigbergk that I got at Nannie Inez. They come in really great colors.”
“I have been making a set of recycled leather flags for Hawkins New York and have some other flag-inspired pieces coming out with my own line as well. I have always loved flags.”
“I keep most packing materials that I get. I use cardboard for making lots of different things. I love the way boxes look when they are taken apart—the shapes are very inspiring to me. On the ground are swatches of rug prototypes that are in the works (a.k.a. comfy dog beds to our pup Stache).”
“We bought the land about two and a half years ago. My husband and I morphed a couple of houses that we liked for the initial design, and then it was a collective project with his family to get the design details fine-tuned and built. His dad did the plans and plumbing, and his brother did the engineering, contracting, and final woodworking. The view is what sold us on moving to Hill Country.”
“These are some of the pieces that I did with & Other Stories. The canvas pieces are prototypes for tapestries that I made from dyed drop cloths that we used when building our house.”
“This is my studio. It’s really exciting for me to have a studio in our home. It stays pretty clean, but looks different each month depending on what I am working on. I don’t work well with a lot of clutter, so I clean it up every week. I don’t get very attached to things, so they get recycled or given to friends when I have gotten what I need to out of them.”
“These three things are taped next to my computer on my desk because they make me happy—some mini flowers my husband picked outside for me before he left for work one day, a portrait from my Shade of Red series, and a photo my dad took of me and my sis cruising on our bikes in San Antonio when we were itty-bitties.”
“This is a shot of the house from down below.”
“Stache—my bestie, my studio mate. If he’s not on one of the rug samples, he’s under my desk at my feet. He is so much of my day. At least 15 times a day I stop and smother him.”
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Watch Morgan Carper Fix Up Her Fort Greene Casa
Extreme Makeover: Designer Home Edition
When Morgan Carper—the force behind the textile-fueled apparel line of the same name—and her hubby, Chris Bradford, got their hands on a 125-year-old Fort Greene brownstone in February 2013, they were pumped to dive in and make it their own. “There’s still work to be done, but this house will constantly be a work in progress,” she says of her (very major) renovation. “I love the idea of growing and evolving into our home.” See what she’s done with the place so far. —alisha prakash
The Living Room
“This is the parlor-floor living room—beautiful bones, but so dark. Because the house is so extremely narrow, we wanted to lighten up the space as much as possible. Bringing down a few walls, painting everything bright white, and laying down white oak floors was our solution. The old floors were actually quite beautiful, but they weren’t original to the house—and the red oak made the space dark. New flooring transformed the space, while adding a personal element to make it our own. I have always loved the classic look of herringbone flooring—the lines elongate the room, and the light finish brightens it.”
“We removed a wall with double doors, opening up the space. The restoration of the moldings was painstakingly time-consuming but incredibly rewarding to preserve such detail and character. Chipping away at all the years of paint was like going back in time. I loved thinking about the families that lived in this house and what was happening during that time, color by color.”
“We wanted to make the space as light as possible, so we gutted it and replaced the dark cherry cabinets with black countertops with white cabinets and Carrera marble. We splurged on the countertops while maintaining low costs with the Ikea white lacquer cabinets—it’s all about balance. Getting to see the skeleton of the house was amazing. The beams and foundation are so stout and solid—they just don’t make them like they used to!”
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Step Inside Asia Ragland’s Baller Venice Beach Bungalow
The perfect excuse to buy a white couch.
Asia Ragland, the designer behind tough-girl jewelry line Feliks + Adrik, takes WFH to the next level. At her Venice Beach pad—just a stone’s throw from the beach—the washer-and-dryer nook doubles as shipping facility, and a dining table serves as a sketching-slash-assembly station by day. “What I treasure the most is being able to ride my bike to the end of Rose Avenue and jump in the ocean at the end of a workday…or during lunch,” she says. Yup, we’re jealous—and we haven’t even toured the space yet. —alisha prakash
“This multi-functional table is where I sketch, assemble, and dine. I am a fan of texture and comfort, hence the many throws and rugs I decorate my furniture with. These two sheepskin rugs are from Ikea. I threw them onto this wooden chair to add an element of softness and create some cushy for my tushy.”
“My jewelry collection has grown over the years. I generally gravitate towards unusual statement pieces, which is evident in my own designs.”
“I love waking up in this room even though it doesn’t give me a chance to ever sleep in. The guitar was a birthday gift from my musical genius of a boyfriend. He taught me ‘Bird on the Wire’ by Leonard Cohen, but that’s the extent of my guitar playing. It gets more action when musically inclined friends visit. And the ornate jacket hanging on the wall was a gift from my father when he was in India.”
“When I was on the hunt for a new home/work space in Venice, it was imperative that it be place I could spend all day and night in. Natural light and the ocean breeze flood my windows, living-room skylight, and open doors.”
“This is our shared courtyard. There are eight bungalows on the property that were built in the early 1900s. We have had barbecues, crawfish boils, and dinners and have celebrated many birthdays parties here.”
“The moment I signed the lease in Venice Beach, I knew I had to buy a white couch. Granted, it is covered with throws—but it still feels beach-y.”
“This is the kitchen, where I display my small, yet beloved collection of cameras. The Nikon F50 is a 35mm film SLR camera that I lugged around Europe for four months in 2002. It was my first real camera. In the middle is a vintage DeJur 8mm movie camera I bought years ago at an antique shop in Big Sur. And the last one is a functional vintage Polaroid Land Camera that I bought in Mexico.”
“I purchased this handmade wall tapestry, the vintage leather shoes, and the ornate umbrella on a recent trip to India with my mother. We returned with new luggage filled with all sorts of Indian treasures.”
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Take a Tour of Gia Bahm’s Dope, Three-Story L.A. Home
Peter Jackson might be jealous.
Gia in her casa.
How would Gia Bahm, the Los Angeles-based badass behind the jewelry line Unearthen, describe her pad in Mount Washington? “It’s got a bit of a hobbit hole vibe, but you can feel all the love and time the owner has put into the place,” she says. “It’s set up in a non-traditional way—living room on the first floor, kitchen and bathroom on the second floor, bedroom on the top floor.” (Yah, that’s right, three floors.) Check it out. —alisha prakash
“A view from the top of the stairs of my bedroom, looking into the kitchen. I’d like to imagine that it looks like I live in a treehouse!”
“I totally lucked out on this rug from the Rosebowl Flea Market. The flea market is a super fun and very classic monthly Los Angeles event. If you visit L.A. the second Sunday of the month, it’s cool to check out. Prepare to be overwhelmed. And the couch is from a friend of mine—it was her grandmother’s.”
“This is the view from my kitchen down to the living room. The kitchen is basically a loft. There’s the piano below—I love when the piano gets played. I’m trying to learn, but so far I can still only nail part of a Wings song.”
“So many stained glass components! Super old. Total inspiration.”
“My gnome-y kitchen. The house was built in the twenties by a Hollywood director, so the story goes.”
“These are the doors to my bathroom! I love the handles and the rad/weird/special carved detail around them. I am planning to use the handles as inspiration for an upcoming design. See if you can guess it when it comes out…”
“This desk was in the house I grew up in, so it’s super comforting to me. It’s a place where some of my most special objects and memories live.”
“Real golden-hour light in the living room.”
“The front door. The house is light pink!”
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Make Yourself Right at Home in Caroline Z. Hurley’s West Village Apartment
How’s this for insider access?
Perk of having an architect sis? In addition to the ultimate Jenga teammate, you have someone down to do a home makeover—or at least that’s how it went for artist/designer Caroline Z. Hurley and her compact West Village pad. “The apartment has been in our family since 1990 when my oldest sister went to NYU. Both of my sisters have lived in this place at one time, and we had all been talking about renovating it since the beginning,” says Caroline, who turned to her sibling Angela to make it all happen. See what they did with the place. —alisha prakash
“This is the living-room area. My textiles are on the couch, and those are two collages I made a couple of years ago. The rugs on the walls are prayer rugs from India. The cover that’s over the L-shaped couch is also from India. I wanted it to be cozy and colorful and fun.”
“I’ve always desired a super-functional kitchen where I can bake and have dinner parties. There’s a better oven and workspace now. On the left is where I keep all my inspiration and things that are coming up during the week. Before the renovation, it was hard to function in such a segmented space, and now it’s just one large open space. Also, those coffee beans are my go-to coffee—Café Bustelo.”
“This is my bathroom. When the door’s open, it becomes a changing room, and when it’s closed, it’s a bathroom. Every time I have a party, I feel like people love to hang out in the bathroom. It’s a cozy little spot. Those baskets on the top are from Bali. The basket on the left is from one of my favorite stores that I actually used to work at in L.A. called Plastica. On the left are some of my pasta necklaces.”
“These are two of my favorite chairs. My boyfriend and I found them at Elephant’s Trunk, a flea market in Connecticut. We found these amazing pieces for around $5 a chair. They’re outdoor chairs, but I use them indoors. I spent so much time at ABC Carpet trying to find the perfect rug, which is on the ground here. It has a really interesting pattern—a flower in one spot and a half circle in another.”
“This textile is from a street vendor from my trip to Bali. This plant is inside one of the ceramic vases my boyfriend made. I signed him up for this class at Greenwich House Pottery, and he came back with all these really beautiful pieces. They were his first try at the wheel, and he really nailed it. That clock, I found in India—I had to have it. It’s a piece from part of a clock—just the numbers. I love the font of those numbers.”
“That’s one of my paintings. It’s an abstracted beach scene. It came in a flurry—I painted it in an hour or so. I had all these ideas stored up; I had been sketching and it popped out all at once. The chair I found from this woman who used to be on Houston Street. Her name is Christine—she had these amazing mid-century pieces. The thing the TV is sitting on is an old-school desk—that was also from Elephant’s Trunk and was $10.”
“We designed the apartment with the bed lofted so there would be more living space. It’s this cozy nook. I’ll read up there, or when I’m not feeling well, I’ll bring my computer and watch a movie. It’s nice to have zones—this is my sleeping area, this is my TV area, this is my office area.”
“The books feature some of my favorite artists like Dana Schutz, Cy Twombly, and Richard Tuttle. John Robshaw is a friend of mine who brought me and another friend to India. We learned the textiles of India through his eye, which was a really great experience. The last book is called Terryworld—it’s photographs by Terry Richardson. It’s basically like porn—he’s an amazing photographer, really cutting-edge.”
“These are shells that my boyfriend and I picked up from Ho Hum Beach off the coast of Bellport. I love the ocean, so it’s a nice reminder that it isn’t too far away. The two compasses are ones I found in strange flea market in India. My dad gave me a compass necklace—I think that might have started my desire to collect compasses. The ladybug is for good luck and from my sister who just had a sweet baby girl named Rose. Rose really loves the color red.”
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Samantha Pleet Teaches Us How to Decorate Like a Pro
A how-to guide for small-space dwellers—or anyone, really!
By looking at the pictures, you’d never guess that the adorable Greenpoint apartment that Samantha Pleet shares with her husband is only 650 square feet. The super-savvy clothing designer’s secret? These easy-peasy tricks that anyone can do. Who needs room to spare? —monica derevjanik
Hang your art high.
“If you have limited wall space to display your art, think vertical and hang your pieces over door frames. It will help make your ceilings look like they’re higher than they actually are.”
Get creative with your walls.
“Our bedroom has a forest theme, which started with our mural painted by Leon Ben.”
Spruce up your bed.
“What’s the point of a boring bed? We made our own out of birch trees.”
Play around with your bookshelves.
“We made our bookshelves from salvaged wood. We love that it creates the illusion of more space if you stack them all the way up to the ceiling like in an old library.”
Separate your space.
“Our dining room and living room share the same room, so we used furniture to divide the space while maintaining the openness. Our couches face our projector screen, which creates a little theater.”
Add some green.
“We have a lot of windows, which works great for our plants. Our little green friends give our apartment its tree-house vibe.”
Photos courtesy of Agnes Thor.
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Explore Annabel Inganni’s Los Angeles Hideaway
It’s tucked into a hillside! No joke!
When East Coast girl Annabel Inganni headed to Los Angeles 15 years ago, she very quickly, as she puts it, “released some of my inner bohemian.” For her, that means making the outdoors as a huge part of her living sitch and getting down with sunny colors (also evident in her killer home goods line Wolfum!). See how she keeps things chill and airy at her Monterey Hills pad. —carly pifer
“Our house is small, but we have expanded by designing our deck to be our outdoor living space. This is our only dining table, so we often enjoy our meals outdoors, lighting a fire in the winter. Garden boxes, where I grow different veggies and flowers year-round, edge the deck to keep my daughter safe.”
“Since our house is below the street, nestled in the hillside, most people miss our stairway down. I love how it twists through the yard—its design and materials echo all the natural elements. It feels so good in Los Angeles to be surrounded by so much green.”
“Gardening is a passion of mine, and I have several boxes throughout the deck and yard. Two are dedicated to herbs, while several others have fruits and veggies in rotation—mostly lettuce, broccoli, tomatoes, and now strawberries for the summer!”
“I found this orange velvet fabric in a thrift store and had our vintage Knoll by Eero Saarinen chair reupholstered. Since I am married to a furniture designer, most of our house is built-in, so I love adding these bright, unique pieces where I can.”
“Immediately when you enter the house, you are greeted by this vintage Marimekko fabric that I stretched to hang over our couch. I love the simplicity of the Lokki print, which, again, reflects the organic nature of our home.”
“Our bedroom has a wall full of art collected throughout the years. The portrait is of my grandmother, Barbara Bird, whom my daughter Birdie is named after. Others are from travels to Paris and Rimini, Italy, as well as finds from local thrift shops. There is also a vintage Audubon print, which I adore.”
“Our vintage Verner Panton Flowerpot pendant lamp is one of my favorites. Not only is it orange—my favorite color—but the shape is also sleek and sweet at the same time. It gives off a very romantic, soft light.”
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Step Inside Kathleen Whitaker’s Crazy-Stunning L.A. House
Maybe she’ll invite us to move in?
Kathleen Whitaker’s clean and effortless aesthetic is as evident in her home as it is in her so-amazing jewelry line. Built in 1909, her sun-filled Echo Park casa is in the process of being renovated (with her husband doing all the work himself—whoa!), but she showed us around the parts that are not construction zones. Get ready to be very jealous. —koun bae
“My husband and I have been in our house for a little over two years, and it was a really good time to buy in terms of the market. My father had actually just passed away, and I have this sense of it being divine intervention.”
“And my husband has done everything with his own two hands, not taking an hour of work from anyone else which is crazy. If you really look closely at everything, everything is perfect! Which is really hard to do in a house that is over a hundred-years-old. We fixed the things that were obvious that the house was calling out for, like the location of front doors. It all just flows now beautifully.”
“Making outdoor living spaces where you can take a nap and read a magazine—being able to do that in sort of a room outside has really appealed to me, and I set that up under a big oak tree.”
“A very good friend of mine and I were at the Rose Bowl, and she stopped at this guy who had all these African textiles. They are called asoke fabric, and they are usually worn as clothing. I got really into these fabrics, and, of course, it was a no-brainer to wrap them around some cushions.”
“This is the guest bedroom, and the bedcover is actually a rug that my mom had in our house. It was too white and was going to get dirty, so my friend suggested having it dry-cleaned and putting it on the bed. It just makes the whole room kind of cozy.”
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Annie Williams and Her Nashville Pad
There are pups and chickens, too.
For most of us, living locally means schlepping a bag of kale back from the farmers’ market. For the Tennessee-based leather-goods designer Annie Williams? It’s raising chickens a stone’s throw from her bedroom. The designer and her super-handy husband Ben live in a community house with three friends, complete with piles of home-grown veggies and refurbished mopeds. Sound like a dream? We think so, too. Nashville, here we come. —carlye wisel
"Our house is a part of The Nashville Greenlands, which is run by Carl Meyer and Pam Beziat—they have started and developed Catholic Worker-type houses in North Nashville. We live with three other great women who are involved in the community.”
“Pam grows peaches at her community house, and this is us harvesting them this summer.”
“Ben, my husband, has set up a system to irrigate our garden with rainwater. Out on our property, we will be catching all of our water for drinking, showering, processing sewage, and watering the garden.”
"Our dogs are Copper and Macy—they’re our children."
"We have four hens and one rooster. We have 11 fertilized eggs right now and are excited to hatch the chicks and put lots of chickens on our new property. Here’s me with Smarty Pants, our Americana chicken. She lays blue eggs."
“I have the problem with collecting instruments. My mom just found a vintage junior accordion for me.”
"We’ve tried to cram most everything we own into one room, but our room is spacious and still really comfortable."
Photos by Nicole Irene.
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A Tour of Annie Larson’s Brooklyn Pad
The designer just made a big move last year—and she’s feeling right at home.
“I’ve wanted to move to New York ever since—well, for a long time,” says Annie Larson, whose career started at Target HQ in Minneapolis, where she eventually launched her bold knitwear line in 2009. “This place is just so exciting—nobody can deny that.” What’s also exciting is that she and her artist BF, Eric Carlson, scored themselves a borderline-palatial Bushwick, Brooklyn, home last October. “We came out to look, and we found a place in the first half day. We just went shopping for the rest of the time,” Annie adds. Take a look at how they set up their pad when they moved in. —erica
“This is sort of our office. My computer is the desktop, and Eric’s is the laptop—we sit on either side, like relationship corner.”
“That graphite drawing is one of Eric’s pieces. He does illustration, he does book design, he does physical installations, and he’s done skateboards and snowboards. We really had to pare down our record and tape collection when we moved—records are especially heavy. John Lennon is always on heavy rotation, and George Harrison has been getting some more play recently. I love classic rock, almost exclusively. Eric has more diverse taste.”
“We don’t have that many closets, so before we left Minneapolis, we bought 12 of these uniform white boxes that we call our deep storage. We each have six. I have one that’s called the Fashion Time Capsule. I’ve wanted to throw away so much of my old work over the years—stuff from college, stuff from before college, stuff I was working on when I was at Target—but I’ve dissuaded myself from it.”
“That crazy quilt has been in my family a while. We’re trying to figure out how to store shoes—that’s been a major issue.”
“There are some pretty amazing rugs on Etsy—I bought this one there. I found an acrylic one from the seventies in the shape of a tiger that’s so amazing. I had it in my basket, but when I showed it to Eric, he wasn’t into it at all. I think that if he came home and saw a tiger in our apartment—if it was already there, which it very easily could be at any time—what would he do, throw it away?”
“That’s my studio. I actually got rid of like 60% of my yarn stock before I left Minnesota. I recently bought a new knitting machine and some software. Now I do all my patterns on a computer and plug the machine in. It’s amazing—I can do so many different things.”
“The cast-iron rack actually came from my parents’ basement. We did a major sorting out of our hangers before we left. I got all of our hangers onto one rail and walked through like, ‘This one’s gone, this one’s gone, this one’s gone. We’re not keeping any that are electric blue, we’re not keeping any that are white, and we’re not keeping any that are thick.’ My whole theory of moving is not to move anything we don’t want.”